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Programme brochure

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Programme

Edward Elgar
Introduction and Allegro for strings

Julian Anderson
Symphony No. 2 ›Prague Panoramas‹

Antonín Dvořák
Cello Concerto in B minor

Artists

Robin Ticciati Conductor

  • Steven Isserlis Violoncello

Deutsches Symphonie-Orchester Berlin

About the concert

Written largely in the USA but first performed in London in 1896, Antonín Dvořák’s Cello Concerto belongs in a sense to the composer’s transitional phase between the Old and New Worlds. Musicologists will probably never agree on whether the works created during Dvořák’s stay in New York are American or, even more so, Czech or Bohemian in character. However, a clear answer to the question is not necessary. Homesickness is a long-established artistic productive force that need not preclude the absorption of new influences. After the two contributions to the genre by Haydn and the only one by Schumann, the Czech composer’s Cello Concerto is only the fourth work of its kind to establish itself in the core repertoire. The impression of wide landscapes, which may indeed be due to Dvořák’s American experience, the voluptuous late-Romantic intonation and the symphonic dimensions give the Concerto a place of honour in the programmes played by great cellists. Englishman Steven Isserlis, who can be heard this evening with the DSO under the direction of Music Director Robin Ticciati, has belonged to this group for decades.

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After performing Julian Anderson’s study ‘The Crazed Moon’ with his orchestra only last November, Ticciati focuses on the English composer’s Second Symphony in this concert. Massive orchestral chords stand at the beginning, spherical string sounds and bells at the end of the work, which owes its title to a book with stylised panoramic photos of the city of Prague by Josef Sudek. Anderson explained regarding his source of inspiration, “This volume of photos, which look almost like paintings, has a dramaturgy that reminds me of listening to a symphony. It is the grandeur of the photographs that almost evokes orchestral sounds and structures.”

Edward Elgar, whose two concertos for violin and cello will also be performed in this DSO season, composed his ‘Introduction and Allegro’ as an homage to the Classical forms of the sonata movement and the fugue technique. The work is arranged for string quartet and orchestra, which is as unusual as it is effective.

Cover des Programmheftes
Programme brochure

for the concert

Download PDF

Artists

Biography
Robin Ticciati

Robin Ticciati

Conductor

Biography

Steven Isserlis

Steven Isserlis

Violoncello

Biography
Deutsches Symphonie-Orchester Berlin

Deutsches Symphonie-Orchester Berlin

Orchestra

Biography