Yamada & Selaocoe

Kazuki Yamada will assume the position of Chief Conductor and Artistic Director of the Deutsches Symphonie-Orchester Berlin (DSO) at the start of the 2026/2027 season. He has served as Music Director of the City of Birmingham Symphony Orchestra (CBSO) since April 2023 and has held the position of Artistic Director and Chief Conductor of the Orchestre Philharmonique de Monte-Carlo (OPMC) since 2016.

Born in 1979 in Kanagawa, Japan, Yamada maintains a strong connection to his homeland and brings a distinctly “Japanese sensibility” to classical music. He works regularly with the NHK Symphony Orchestra, the Yomiuri Nippon Symphony Orchestra and the Japan Philharmonic Orchestra. He regularly tours Japan with the orchestras from Birmingham and Monte Carlo, most recently with the CBSO in summer 2025.

Yamada is a highly sought-after guest conductor in the realms of symphonic, operatic, and choral music. He made a celebrated debut with the DSO in April 2024 and returned to open the 2024/2025 season, stepping in for the late Sir Andrew Davis. In the same season, he appeared for the fourth consecutive time with the CBSO at the BBC Proms. Further debuts include performances with the Berliner Philharmoniker, the Filarmonica della Scala and the Wiener Symphoniker. In 2026, he will make his first appearances with the Bamberger Symphoniker and the NDR Elbphilharmonie Orchestra. In the United States, he has conducted the Cleveland Orchestra, following earlier engagements with the Chicago and the Boston Symphony Orchestra, San Francisco Symphony and New York Philharmonic.

He also appears regularly with ensembles such as the Oslo Philharmonic, the Swedish Radio Symphony Orchestra, the Orchestra dell’Accademia Nazionale di Santa Cecilia, the Orchestre National de France and the Orchestre Philharmonique de Radio France. At the Opéra de Monte-Carlo, he has conducted Ravel’s ‘L’enfant et les sortilèges’ and ‘L’heure espagnole’, and returned in 2026 for Debussy’s ‘Pelléas et Mélisande’.

Yamada collaborates with renowned soloists including Emanuel Ax, Leif Ove Andsnes, Seong-Jin Cho, Isabelle Faust, Martin Helmchen, Nobuko Imai, Lucas and Arthur Jussen, Alexandre Kantorow, Evgeny Kissin, Maria João Pires, Julian Prégardien, Baiba Skride, Fazıl Say, Arabella Steinbacher, Jean-Yves Thibaudet, Krystian Zimerman, and Frank Peter Zimmermann.

A passionate advocate for the next generation of musicians, Yamada is a regular guest conductor at the Seiji Ozawa International Academy Switzerland and actively supports the CBSO’s education and development programs.

He studied at the Tokyo University of the Arts, where he discovered his deep affinity for Mozart and the Russian Romantic repertoire. He gained international recognition in 2009 when he won First Prize at the 51^st Besançon International Competition for Young Conductors. After spending most of his life in Japan, he has resided in Berlin since 2010.

For more information kdschmid.de/en

The Deutsches Symphonie-Orchester Berlin (DSO) was highlighted by the renowned national newspaper Süddeutsche Zeitung as the “orchestral think tank” among the capital city’s orchestras. It is characterized by the rich dramaturgy of its concert programmes, its commitment to contemporary music and regular discoveries of repertoire, as well as the courage to pursue unusual music presentation formats. The DSO has set innovative impulses with electro projects, the production of extraordinary music films, interdisciplinary cooperation and collaboration with ensembles on the independent scene. With its moderated casual concerts including lounge and live act, it has been successfully building a bridge between club and classical music for over 15 years, reaching a broad and diverse audience. Since 2014, it has been bringing amateur musicians together with professionals to form Berlin’s largest spontaneous orchestra, the ‘Symphonic Mob’ – a concept that is now also licensed throughout Europe.

In the 2023/2024 season, the DSO attracted worldwide attention with a feminist music policy initiative under the motto ‘No Concert Without a Female Composer!’; in 2024/2025 it underlined the positioning for an open society and the advocacy for marginalized groups in various concert programmes with the campaign ‘Orchestra for Democracy’. The DSO remained true to this self-image in the 2025/2026 season: under the title ‘Afrodiaspora – Composing While Black’, it became the first orchestra worldwide to place the music of Black composers at the centre of its programming, commissioned new works, and presented cellist Abel Selaocoe as “Artist in Focus”.

With its many guest performances, the DSO is present on the national and international music scene. The orchestra has performed in recent years in Brazil and Argentina, in Japan, China, Malaysia, Abu Dhabi and Eastern Europe, as well as at major festivals such as the Salzburg Festival or BBC Proms. The DSO also has a global presence with numerous award-winning CD recordings. In 2011, it received the Grammy Award for the world premiere recording of Kaija Saariaho’s opera ‘L’amour de loin’ conducted by Kent Nagano.

Founded as the RIAS Symphony Orchestra in 1946, it was renamed the Radio Symphony Orchestra Berlin in 1956 and has borne its current name since 1993. Since its inception, the DSO has been able to retain outstanding artist personalities. As the first Music Director, Ferenc Fricsay defined the standards in terms of repertoire, acoustic ideal and media presence. In 1964, the young Lorin Maazel assumed artistic responsibility. In 1982, he was followed by Riccardo Chailly and in 1989 by Vladimir Ashkenazy. Kent Nagano was appointed Music Director in 2000. Since his departure in 2006, he has been associated with the orchestra as a Conductor Laureate. From 2007 to 2010, Ingo Metzmacher, from 2012 to 2016, Tugan Sokhiev, and from 2017 to 2024, Robin Ticciati set decisive accents in the musical life of the capital. They will be succeeded by the Japanese Kazuki Yamada, who will lead the DSO as Music Director from the start of the 2026/2027 season.

The Deutsches Symphonie-Orchester Berlin is an ensemble of the Radio Orchestra and Choirs gGmbH (ROC Berlin). The shareholders are Deutschlandradio, the Federal Republic of Germany, the State of Berlin and Radio Berlin-Brandenburg.