Cover des Programmheftes
Programme brochure

for the concert

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Programme

Ludwig van Beethoven
Violin Concerto in D major

Richard Strauss
Suite from the Opera ›Elektra‹, arranged by Manfred Honeck and Tomáš Ille

Artists

Manfred Honeck Conductor

  • Josef Špaček Violin

Deutsches Symphonie-Orchester Berlin

About the concert

In his early writing ‘The Birth of Tragedy from the Spirit of Music’, Friedrich Nietzsche, referring to two Greek gods, developed the opposing pair of the “Dionysian” and the “Apollonian”, which, in his view, as polar forces, also engage in an eternal struggle in art. Dionysus stands for indomitable archaic forces, intoxication and a logic of instincts that brings about tragic conflict from within itself. Apollo, on the other hand, represents expressiveness tamed by form, beauty, grace, and the consciousness of appearances. The contrast can hardly be better illustrated than by the two works that will be heard under the direction of Manfred Honeck in this DSO concert.

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Beethoven’s Violin Concerto, which was to influence all subsequent compositions of the genre in music history, is compelling because of its consummate formal mastery, which nevertheless does not at any moment limit the freedom of expression, the balance between both solo and symphonic elements, and a finely weighted dramaturgy in which the extensive first movement is followed by the lyrical intimacy of the larghetto and the dance-like final rondo. Richard Strauss’ tragedy ‘Elektra’, on the other hand, from which Honeck himself compiled a suite, may be counted among the most impressive evocations of the Dionysian in the history of opera. Based on Hugo von Hofmannsthal’s play of the same name, it tells of the terrible family feud of the Atreidae: Elektra pursues her mother, Clytemnestra, with eternal hatred for taking part in the murder of her father, Agamemnon, and at the end of the tragedy dances herself into an orgiastic euphoria after her brother, Orest, has killed the mother and her lover in another bloody deed. In the midst of glaring dissonances and wild rhythms, the composer only allows isolated moments of beauty (of sound) – for example in the moving recognition scene between Elektra and her brother. Incidentally, in later creative phases, both composers also approached the opposite pole of Nietzsche’s pair of opposites: While the form-breaking forces of the Dionysian also asserted themselves in Beethoven’s radical late works, Strauss already turned to a more Apollonian tonal language in his next opera, ‘Der Rosenkavalier’ (‘The Knight of the Rose’).

Czech violinist Josef Špaček, who has already performed with such renowned ensembles as the Orchestre de Paris, the Rundfunk-Sinfonieorchester Berlin and the Bamberger Symphoniker, takes on the role of soloist this evening. Manfred Honeck will present the ‘Elektra’ suite again as moderator in tomorrow’s Casual Concert: He explains the work in a clear way using examples from the orchestra, and then performs it in context as a whole.

Cover des Programmheftes
Programme brochure

for the concert

Download PDF

Artists

Manfred Honeck

Manfred Honeck

Conductor

Josef Špaček

Josef Špaček

Violin

Biography
Deutsches Symphonie-Orchester Berlin

Deutsches Symphonie-Orchester Berlin

Orchestra

Biography