Robin Ticciati

Robin Ticciati OBE has been the Music Director of the Deutsches Symphonie-Orchester Berlin (DSO) since the 2017-18 season. In the summer of 2014 he took on the role of Music Director of the Glyndebourne Festival Opera. From 2009 to 2017 he held the position of Principal Conductor of the Scottish Chamber Orchestra (SCO), and from 2010 to 2013 was First Guest Conductor of the Bamberg Symphony.

The young Briton with Italian roots has in the recent past conducted such renowned orchestras as the Vienna Symphony, the Symphonieorchester des Bayerischen Rundfunks, the Chamber Orchestra of Europe, the Swedish Radio Symphony Orchestra, the Budapest Festival Orchestra, the London Symphony Orchestra, the Orchestre National de France and the Czech Philharmonic.

Tours with the SCO have led Robin Ticciati through Europe and to Asia. In the autumn of 2016 he toured with the London Philharmonic Orchestra and Anne-Sophie Mutter, performing concerts at Vienna’s Musikverein, the Berlin Philharmonie, the Gasteig in Munich and the Théâtre des Champs-Élysées in Paris. In January 2019, he could be heard with the Chamber Orchestra of Europe »in memoriam Claudia Abbado« in Berlin, Hamburg, Cologne und Salzburg. In the current season he will conduct an Asia tour with the DSO, namely a residency in Tokyo and concerts in South Korea and China, followed by other guest appearances, for instance in the Concertgebouw Amsterdam, and in the Philharmonic Halls of Cologne and Munich.

As Music Director of the Glyndebourne Festival Opera, Robin Ticciati conducted new productions of Debussy’s ‚Pelléas et Mélisande’, Strauss’s ‘Der Rosenkavalier’ and Mozart’s ‘La finta giardiniera’, in addition to Mozart’s ‘Entführung aus dem Serail’ and a Ravel evening with ‘L’heure espagnole’ and ‘L'enfant et les sortilèges’. In the 2018-19 season he is conducting the London Philharmonic Orchestra in new productions of Berlioz’ ›La damnation de Faust‹ and Dvořáks’ ›Rusalka‹. In addition, in the recent past Robin Ticciati conducted Britten’s ‘Peter Grimes’ at La Scala in Milan, Mozart’s ‘Le nozze di Figaro’ at the Salzburg Festival, Tchaikovsky’s ‘Eugen Onegin’ at the Royal Opera House in London, and ‘Hänsel und Gretel’ and Tchaikovsky’s ‘Eugen Onegin’ at the Metropolitan Opera in New York.

Numerous CD recordings with Robin Ticciati have been released by Linn Records, including Haydn symphonies, two Berlioz albums and a complete recording of Schumann’s and Brahms’s symphonies with the SCO, as well as Berlioz’s ‘L'Enfance du Christ’ with the Swedish Radio Symphony Orchestra. These were all enthusiastically received by the critics and won numerous awards. Also with Linn Records, Robin Ticciati and the DSO presented highly acclaimed recordings of works by Bruckner, Debussy, Duparc and Fauré. In September 2019 another recording will be released with Debussy’s ‘Trois nocturnes’ and Duruflé’s Requiem. Ticciati’s discography also comprises Dvořák’s Ninth Symphony, Bruckner’s Mass in F minor and a Brahms recording with the Bamberger Symphoniker and the Choir of the Bayerischer Rundfunk (Tudor), as well as a number of opera recordings for Opus Arte and the house label of the Glyndebourne Festival.

Robin Ticciati was born in London in 1983 and trained first as a violinist, pianist and percussionist. He played in the National Youth Orchestra of Great Britain until turning to conducting at the age of 15. His mentors and patrons include Sir Colin Davis and Sir Simon Rattle. In 2014 he was appointed the ‘Sir Colin Davis Fellow of Conducting’ at the Royal Academy of Music in London.

Robin Ticciati was recently awarded an OBE for services to music in the Queen’s Birthday Honours.

as at: August 2019

The bewildering thing about KUF is that it is a vocal-led group that has no singer on stage at all. All vocal elements are based on self-recorded samples which keyboard whizz kid Tom Schneider melds and bends and squeezes in real time. As if it was a regular thing to do. With no artificial synchronization in place, Valentin Link on bass and Hendrik Havekost on drums push the disembodied, highly abstract voices into an arena of hyperintegrated realtime magic. The rhythm section hints at the great history of dirty funk and r’n’b, but the grooves are firmly of today: dance-centered and broken up at the best possible joints.

For more information please visit: listen-to-kuf.com

For more than 70 years the Deutsches Symphonie-Orchester Berlin (DSO Berlin) has distinguished itself as one of Germany's leading orchestras. The number of renowned music directors, the scope and variety of its work, and its particular emphasis on modern and contemporary music, makes the ensemble unique. Founded as the RIAS Symphony Orchestra in 1946, it was renamed the Radio Symphony Orchestra Berlin in 1956 and has borne its current name since 1993.

At the beginning of the 2017-18 season Robin Ticciati took on the position as music director, carrying on a great tradition. As the first music director, Ferenc Fricsay defined the standards in terms of repertoire, acoustic ideal and media presence. In 1964, the young Lorin Maazel assumed artistic responsibility. In 1982, he was followed by Riccardo Chailly and in 1989 by Vladimir Askenazy. Kent Nagano was appointed music director in 2000. Since his departure in 2006, he has been associated with the orchestra as an honorary conductor.

From 2007 to 2010, as the successor to Nagano, Ingo Metzmacher set decisive accents in the concert life of the capital with progressive programmes and consistent commitment to the music of the 20th and 21st centuries. Since September 2012, the North Ossetian Tugan Sokhiev has been music director of the Deutsches Symphonie-Orchester Berlin.

Apart from its concerts in Berlin, the DSO is also present in many guest appearances in international music life. The orchestra has held performances in the major concert halls of Europe, North and South America, the Near, Middle and Far East. The DSO is also in demand worldwide with many award-winning CD recordings. In 2011, it was awarded a Grammy Award for the best opera recording for the production of Kaija Saariaho's ›L'amour de loin‹ conducted by Kent Nagano. In September 2017 the first CD of the DSO and Robin Ticciati has been released on the Linn Records label.

The Deutsches Symphonie-Orchester Berlin is an ensemble of the Radio Orchestra and Choirs GmbH (roc berlin). The shareholders are Deutschlandradio, the Federal Republic of Germany, the State of Berlin and Radio Berlin-Brandenburg.