Cover des Programmheftes
Programme brochure

for the concert

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Programme

Hildegard von Bingen
›Vos flores rosarum‹ for Choir a cappella

Arvo Pärt
›Fratres‹ for Violin, String Orchestra and Percussion

John Tavener
›Mother of God, here I stand‹ aus ›The Veil of the Temple‹, bearbeitet für Streicher und Chor von Hugo Ticciati

Pēteris Vasks
›Vientuļais eņģelis‹ (Lonely angel) – Meditation for violin and string orchestra

Johann Sebastian Bach
Kantata ›Christ lag in Todes Banden‹ BWV 4 for Choir and Orchestra

Artists

Robin Ticciati Conductor

  • Hugo Ticciati Violin
  • Anna Schote Soprano
  • Yongbeom Kwon Countertenor
  • Jo Holzwarth Tenor
  • Konstantin Ingenpaß Basso

Bundesjugendchor
Anne Kohler Choirmaster

Deutsches Symphonie-Orchester Berlin

Afternoon Lectures

In the afternoon before the concert:
5–8 p.m., Curt Sachs Hall, Musical Instrument Museum 

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Prof. Dr. Stefan Willich 'Music therapy – historical development and state of research'
Prof. Dr. Mazda Adli 'The significance of music for mental health'
Dr. Andrea Korenjak 'Music, medicine and psychiatry - a historical perspective'

Admission free, registration at the visitor service

About the concert

The second concert of the DSO festival ‘Music and Healing’ evokes the potential for healing that lies in the musical expression of faith. The works performed are characterised by a meditative calm, in some of which the orchestra is completely silent in favour of the human voices. At the beginning of the programme is a monophonic, expressive chant by the famous medieval abbess Hildegard von Bingen, and at the end, the cantata ‘Christ lag in Todes Banden’ (‘Christ lay in death’s bonds’) presents the Baroque, polyphonic art of Johann Sebastian Bach, still the most revered composer of sacred music today. In between, works are heard that, despite their origin in the 20th and 21st centuries, are characterised by tonality and thus confidently set themselves apart from the avant-garde currents in the modern and postmodern eras. The immersion in the traditions of (Christian) religion corresponds to the reference to the musical past, although the composers Arvo Pärt, John Tavener and Pēteris Vasks developed their own unmistakable tonal language at the same time.

In Pärt’s work, who had occasionally experimented with the twelve-tone method, the turn to tonality is closely related to his faith. The accessibility of his works is based on precisely constructed thematic figures that evoke an almost mystical effect in repetitive structures. The piece ‘Fratres’ (‘Brothers’), originally written in 1977 in a version for string quintet, can be heard in this concert in the version for solo violin, strings and percussion. The ethereal meditation ‘Vientuļais eņģelis’ (‘Lonely Angel’) by Pēteris Vasks, located in the high, as it were “heavenly” register of the strings, is dedicated to the guardian angel of the Latvian composer. The soloist in the pieces by Pärt and Vasks, whose resistance to the power of the Soviet regime was also rooted in their faith, is the English violinist Hugo Ticciati. John Tavener, who, like Pärt, converted to the Russian Orthodox faith, is an exceptional figure in English music of the 20th century, also because of his profession to the Christian faith. According to the composer’s instructions, the touchingly sincere a cappella song ‘Mother of God, here I stand’ is to be performed “subdued [and] with infinite tenderness”.

Cover des Programmheftes
Programme brochure

for the concert

Download PDF

Artists

Biography
Robin Ticciati

Robin Ticciati

Conductor

Biography

Hugo Ticciati

Hugo Ticciati

Violin

Anna Schote

Soprano

Yongbeom Kwon

Countertenor

Jo Holzwarth

Tenor

Konstantin Ingenpaß

Basso

Bundesjugendchor

Bundesjugendchor

Biography
Deutsches Symphonie-Orchester Berlin

Deutsches Symphonie-Orchester Berlin

Orchestra

Biography