Cover des Programmheftes
Programme brochure

for the concert

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Programme

Harrison Birtwistle
›Panic‹ for alto saxopohone, jazz drums, wind instruments and timpani

John Dowland
›Semper Dowland, semper dolens‹

Ernest Bloch
›Schelomo‹ – Hebrew Rhapsody for Violoncello and Orchestra


Obertongesang

Igor Stravinsky
›Le sacre du printemps‹

Artists

Robin Ticciati Conductor

  • Nicolas Altstaedt Violoncello
  • Asya Fateyeva Alto saxophone
  • Gareth Lubbe Obertongesang
  • Martin Frink Jazzschlagzeug

Deutsches Symphonie-Orchester Berlin

About the concert

For some years now, even in a part of the world that has long been spoiled by prosperity, crises – the suffering of refugees, climate change, pandemics and war – seem to be taking over from one another without the previous ones having been overcome in the least. In the four symphony concerts of the ‘Music and Healing’ festival, the DSO and its Music Director Robin Ticciati interpret works that have been written from the Middle Ages to the present day. On the one hand, they can be understood as dealing with the catastrophes of world events, but on the other hand, they can also be seen as an expression of a healing power that comes from contemplation, deceleration and looking back on history.

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The framing works of the opening concert of the festival evoke the ambivalence of archaic energies. Sir Harrison Birtwistle, who died on 18 April 2022 aged 87, referenced the ancient songs of homage to Dionysus, the Greek god of intoxication and ecstasy, in his work ‘Panic’. When the unreservedly wild piece was performed as part of the popular ‘Last Night of the Proms’ in London in 1995, the outraged tabloids referred to it as the ‘Last Fright of the Proms’. Igor Stravinsky had to put up with a similarly polemical play on words after the scandalous premiere of his ballet ‘Le sacre du printemps’ (‘The Rite of Spring’) in 1913. A contemporary renamed it ‘Le Massacre du printemps’ (‘The Massacre of Spring’) without further ado. With the meeting of modernity and precivilisational rituals and the use of irregular rhythms, polytonal passages and harsh dissonances, the composer prescribed a radical cure for Western music.

In between, pieces by John Dowland and Ernest Bloch illustrate the phenomenon that the musical expression of grief can be perceived as comforting and thus in itself contribute to “healing”. The cellist Nicolas Altstaedt, a musician who is not only known for his unusual repertoire, but also for his courage to play sounds bordering on silence, takes on the solo part in Bloch’s ‘Schelomo’.

Cover des Programmheftes
Programme brochure

for the concert

Download PDF

Artists

Biography
Robin Ticciati

Robin Ticciati

Conductor

Biography

Nicolas Altstaedt

Nicolas Altstaedt

Violoncello

Asya Fateyeva

Asya Fateyeva

Alto saxophone

Gareth Lubbe

Gareth Lubbe

Obertongesang

Martin Frink

Martin Frink

Jazzschlagzeug

Biography
Deutsches Symphonie-Orchester Berlin

Deutsches Symphonie-Orchester Berlin

Orchestra

Biography