›God-music‹ for Violoncello and Crystal Glasses from ›Black Angels‹
›Sinfonia da requiem‹
Cello Concerto in E minor
Symphony Nr. 2
- Sol Gabetta – Violoncello
Deutsches Symphonie-Orchester Berlin
About the concert
Although Edward Elgar did not die until 1934, the Cello Concerto, composed between 1918 and 1919, was to remain his last major orchestral work. It can be understood as elegiac farewell music to the world of the 19th century, which disappeared with the First World War at the latest, and to whose tonal language Elgar remained committed even in the 20th century. The composition, which is characterised by great emotional urgency in its sung as well as in its “speaking”, recitative passages, did not make much of an impression at its premiere. However, at the latest since Jacqeline du Pré championed the work with identificatory commitment, it has won the hearts of the audience. Deliberately distancing himself from the English late Romanticism à la Elgar, Benjamin Britten developed his very own style. The composer wrote the ‘Sinfonia da requiem’ in 1940 as a commission for an imperial jubilee in Japan, but the work was ultimately not performed there because of its explicit reference to the Christian requiem mass. The sombre, brooding mood of the first movement, the haunting and garish second movement and the cautious appearance of redemption in the finale make the ‘Sinfonia’ one of the most impressive works of Britten’s early creative period.
Compositions by the Americans George Crumb and Charles Ives frame the music of Elgar and Britten in this programme. Like their works, Crumb’s ‘Black Angels’ was created as a reaction to the war. In 1970, his Vietnam experience inspired him to write his 13-part threnody, from which the spherical, otherworldly-sounding “God-music”, scored for cello and crystal glasses, is performed at the beginning of the concert. Almost 50 years passed between the completion and the premiere of Charles Ives’ Second Symphony. When the early work, still written in the late Romantic style but remarkable for its innovative use of folkloric material, finally premiered in 1951 under the direction of Leonard Bernstein, the composer was already 76 years old.
The young Austrian conductor Patrick Hahn, who has enjoyed an amazing career in recent years, is making his DSO debut this evening. The solo part in Elgar’s concert is played by the world-renowned cellist Sol Gabetta, whose playing is characterised by temperament and differentiated interpretation.
Date to be announced...