›Berlin needs Music!‹

On Friday, August 26, chamber music ensembles of the DSO will play on a double-decker bus in front of social institutions and accommodation for refugees (The events are not open to the public). 

On Sunday, August 28, ensembles of the DSO will set sail on the raft 'Unkraut' and play musically on the shores of the capital.

More information will follow here soon.

In the first symphony concert of the season – which is also DSO’s contribution to the Musikfest Berlin festival – Music Director Robin Ticciati prefaces the tone poem ‘Tapiola’ with Morton Feldman’s study ‘Coptic Light’ from 1986, which was also the last completed orchestral work of its composer. In addition to Coptic weaving, which served Feldman as an inspirational source, the title refers to what Sibelius had once said about his attempt to achieve in the orchestra an effect similar to that produced by a piano pedal. In the gradually appearing rhythmic and harmonic shifts of the soundscapes, the work, which fades away rather than ends, creates an almost trance-like effect.

At the centre of the programme, Igor Stravinsky’s only violin concerto, the premier of which the composer himself conducted in Berlin in 1931, mediates between the “chiaroscuro”, i.e. the light and shadow effects that Feldman spoke of, and the Nordic darkness in Sibelius’ work. The musical signature of the work, which is based on Baroque and Classical models, is a four-note chord that opens all four movements. In the third movement, Strainsky, known for his concise rhythms, creates an unsentimental yet haunting song. The soloist is Greek violinist Leonidas Kavakos, who is celebrated not only for his unsurpassably effortless technique, but also for his stylistic flexibility.